The word ‘death’ evokes different emotions in different people. For most, the word spells doom, the end of everything good, for a few it is something that happens to others, rarely to oneself or to those close to oneself. Hinduism says that death is merely a stop where the soul changes bodies and not the destination itself. In spite of all these logical and philosophical explanations of death, few of us like going anywhere near it. We are either scared of the dead people or disgusted with the idea of touching a corpse. Still death also means business for some people. I am not talking about professional hit-men here, who make it their business to cause death. I am talking about people who work with the dead all the time - the undertakers, the coroners, the employees at a funeral parlour etc. Rarely have I read a book or seen a movie that portrays the life of these people. The only movie I remember watching that has a main character who works as a graveyard keeper is the tamil movie - Pitamagan. But the story was not about the profession itself, and the graveyard keeper was portrayed more as an animal like person than someone who understands deeply about death (and I was perplexed by the suggestion that he grew up that way because he grew up in a cemetery!), but I digress.
I am not a great follower of Japanese cinema. My only foray into Japanese movies have been some of the movies by Kurosawa (and I will be looked at with disgust if I say that I switched off ‘Dreams’ - the movie that Kurosawa considered his most personal one, midway - somethings should stay personal, I think!!) and more recently one called ‘Confessions’. I also watched one or two of the anime movies (Tokyo Godfathers and another one whose title I cannot recall). I had watched some of the remakes of Japanese movies - The Ring, The Grudge etc. One conclusion I had drawn was that as far as the crown for ‘creepy movies’ goes Japanese and South Korean movies had a stiff competition. In fact after viewing the highly disturbing ‘Confessions’, I had vowed to go nowhere near these movies for a while. But thanks to Roger Ebert, I had been holding on to this Japanese movie called Departures (Okuribito) for a while now. After more than a year of non-cooperation, my mother had also slowly softened a stance against watching English and other world movies that she did not understand. On a sudden whim, I played this movie yesterday and I found it to be one of the more rewarding movie watching experiences.
The movie opens with a poignant and a strangely funny scene of Daigo Kobayashi, the protagonist working with his boss Sasaki in what is called encoffinment. The title and the credits roll and we are taken back a year or so in time. The scene shifts to a ongoing concert in front of a largely empty hall. Daigo works as a cellist in the orchestra in Tokyo. Soon after the concert is over, the manager of the orchestra comes backstage and tells the band that the troupe has been disbanded. Daigo decides to move back to his village with his young wife, where he thinks he will find a job while living rent free in the house his mother left for him.
On seeing an advertisement to ‘assist departures’, he answers immediately assuming that the job would be with a travel agency. He is hired on the spot by the boss, who only asks him if he will work hard. Only after he is hired is he told about the nature of his job. At first Daigo is reluctant. On his first day, he is asked to act as a model for a promotional video, in the role of a corpse while his boss explains the procedure of encoffinment.
Daigo initially hides the true nature of his job as he thinks his wife will hate him for it. Things get worse when the first body that Daigo is asked to help with, is that of a two week old decomposed body of an old woman who died alone. He breaks down at home, unable to share his thoughts with his wife.Gradually however, as Daigo watches his boss preparing the dead bodies with respect for the dead and sees how the kin of the dead people end up feeling grateful for sending away their relative with dignity, Daigo grows to respect and later love his job.
The movie is about this journey of Daigo and later his wife towards understanding the beauty of death and the job of encoffinment. A small note about encoffinment. When I saw this word in the subtitles, I thought this was one of the standard spelling mistakes you find in subtitled movies - a word coined when nothing else matches the meaning of the original word. Seems like I was wrong. Encoffinment is supposedly a Japanese ritual that involves ‘preparing’ the corpse for burial. The Japanese method of disposing (for the lack of a better word) off the dead bodies is interesting. It appears to involve placing the corpse in the coffin and then cremating the coffin in an electric crematorium.
The encoffinment process itself, involves cleaning the body with sterilized cloth, putting on new clothes, applying makeup etc. - all this in front of the family and then laying the body inside the coffin. While this high-level description sounds morbid and even perverse, if you think about it (and you will when you are watching the ritual play out in the movie), it is about how a loved one is remembered in the end. Most of the scenes involving the encoffinment were without any BGM and my mother and I watched transfixed. Strangely the whole ritual seemed somehow pure, serene and extremely beautiful!! All credit goes to the director for composing the scene so well and to the actors for enacting it with so much poise! Apparently the lead actor Masahiro Motoki studied this art of encoffinment in preparation for his role!
For all the seriousness of the subject, there are small moments of fun in the film too. The opening scene that I talked about provides some unexpected laughs. This scene, later continued in the middle of the movie, culminates is a very unexpected and poignant fashion. In spite of the subject (or maybe because of it), the whole movie is really life affirming and positive. It views as death as a gateway to the next life and that was fascinating . Dialogues were very good (at least what the subtitles read!!) and I was wondering if the impact would have been even better if I knew Japanese. One of them stuck in my mind. The assistant at the funeral parlour has this to say about coffins - ‘Our last shopping in our lives is done by others’ (or something to this effect).
For those interested in offbeat movies and do not mind subtitles, this is a must watch.
I am not a great follower of Japanese cinema. My only foray into Japanese movies have been some of the movies by Kurosawa (and I will be looked at with disgust if I say that I switched off ‘Dreams’ - the movie that Kurosawa considered his most personal one, midway - somethings should stay personal, I think!!) and more recently one called ‘Confessions’. I also watched one or two of the anime movies (Tokyo Godfathers and another one whose title I cannot recall). I had watched some of the remakes of Japanese movies - The Ring, The Grudge etc. One conclusion I had drawn was that as far as the crown for ‘creepy movies’ goes Japanese and South Korean movies had a stiff competition. In fact after viewing the highly disturbing ‘Confessions’, I had vowed to go nowhere near these movies for a while. But thanks to Roger Ebert, I had been holding on to this Japanese movie called Departures (Okuribito) for a while now. After more than a year of non-cooperation, my mother had also slowly softened a stance against watching English and other world movies that she did not understand. On a sudden whim, I played this movie yesterday and I found it to be one of the more rewarding movie watching experiences.
The movie opens with a poignant and a strangely funny scene of Daigo Kobayashi, the protagonist working with his boss Sasaki in what is called encoffinment. The title and the credits roll and we are taken back a year or so in time. The scene shifts to a ongoing concert in front of a largely empty hall. Daigo works as a cellist in the orchestra in Tokyo. Soon after the concert is over, the manager of the orchestra comes backstage and tells the band that the troupe has been disbanded. Daigo decides to move back to his village with his young wife, where he thinks he will find a job while living rent free in the house his mother left for him.
On seeing an advertisement to ‘assist departures’, he answers immediately assuming that the job would be with a travel agency. He is hired on the spot by the boss, who only asks him if he will work hard. Only after he is hired is he told about the nature of his job. At first Daigo is reluctant. On his first day, he is asked to act as a model for a promotional video, in the role of a corpse while his boss explains the procedure of encoffinment.
Daigo initially hides the true nature of his job as he thinks his wife will hate him for it. Things get worse when the first body that Daigo is asked to help with, is that of a two week old decomposed body of an old woman who died alone. He breaks down at home, unable to share his thoughts with his wife.Gradually however, as Daigo watches his boss preparing the dead bodies with respect for the dead and sees how the kin of the dead people end up feeling grateful for sending away their relative with dignity, Daigo grows to respect and later love his job.
The movie is about this journey of Daigo and later his wife towards understanding the beauty of death and the job of encoffinment. A small note about encoffinment. When I saw this word in the subtitles, I thought this was one of the standard spelling mistakes you find in subtitled movies - a word coined when nothing else matches the meaning of the original word. Seems like I was wrong. Encoffinment is supposedly a Japanese ritual that involves ‘preparing’ the corpse for burial. The Japanese method of disposing (for the lack of a better word) off the dead bodies is interesting. It appears to involve placing the corpse in the coffin and then cremating the coffin in an electric crematorium.
The encoffinment process itself, involves cleaning the body with sterilized cloth, putting on new clothes, applying makeup etc. - all this in front of the family and then laying the body inside the coffin. While this high-level description sounds morbid and even perverse, if you think about it (and you will when you are watching the ritual play out in the movie), it is about how a loved one is remembered in the end. Most of the scenes involving the encoffinment were without any BGM and my mother and I watched transfixed. Strangely the whole ritual seemed somehow pure, serene and extremely beautiful!! All credit goes to the director for composing the scene so well and to the actors for enacting it with so much poise! Apparently the lead actor Masahiro Motoki studied this art of encoffinment in preparation for his role!
For all the seriousness of the subject, there are small moments of fun in the film too. The opening scene that I talked about provides some unexpected laughs. This scene, later continued in the middle of the movie, culminates is a very unexpected and poignant fashion. In spite of the subject (or maybe because of it), the whole movie is really life affirming and positive. It views as death as a gateway to the next life and that was fascinating . Dialogues were very good (at least what the subtitles read!!) and I was wondering if the impact would have been even better if I knew Japanese. One of them stuck in my mind. The assistant at the funeral parlour has this to say about coffins - ‘Our last shopping in our lives is done by others’ (or something to this effect).
For those interested in offbeat movies and do not mind subtitles, this is a must watch.
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